The Big Bang. How do you express the formation of the planet and its inhabitants, and what kind of craziness had to come together to create the elements that, put together, make humans capable of thought, creativity, love? It’s really all dumb luck, isn’t it?
I recently helped Tru Ludwig print a rather large etching tackling this concept, Dumb Luck, 2009. The composition is a ring of periodic table elements swirling around a human brain set against a galaxy of stars. That brain is a zinc plate cut to fit into the center of the copper plate. The image is printed in blue-black (on the copper plate) and deep red (on the zinc plate).
Scribing the element symbols took Tru three months to complete. I believe it. They are intricate, delicate discs floating on an aquatinted galaxy of stars and planets. Three bright white, far-off stars are drilled holes in the plate that carry no ink. They are a small yet vital part of the composition. Then there is a set of blessing hands at lower left. So, in addition to pondering the dumb luck that enables our existence, it raises questions about whether a higher power had a hand in our design.
I love this print. I’ve always loved looking at pictures of the stars and galaxies and I’ve always been amazed by the Big Bang theory. How could it be that all this was created without some sort of intentionality? I’m not a particularly religious person, but it does make one wonder. That Tru figured out a way to convey this mystery astounds me.
You may recall that Tru and I printed another of his prints, Ask Not…, last weekend, during which I was sort of helpful. I think I graduated to really helpful printing Dumb Luck. By the end of the session, I was wiping that little brain without supervision. I was wiping those element discs. I even came up with a method of quickly removing the first layer of ink—I’m pretty proud of that. We fell into the print-shop ballet that will be familiar to anyone who prints.
I loved being in the studio and it reignited my long-held desire to open a print shop and publish prints. If only I would win the lottery in order to be able to do so. <sigh>
Ann's art blog
A small corner of the interwebs to share thoughts on objects I acquired for the Baltimore Museum of Art's collection, research I've done on Stanley William Hayter and Atelier 17, experiments in intaglio printmaking, and the Baltimore Contemporary Print Fair.
What our Platemark listeners are saying
Listened to Platemark episode 102. Great stuff. I agree verbal exchanges with compatible minds on deeply shared content is rich, creative, wonderful, and hard to find. You both offered a delightful picture of how that has worked for you. And I felt [you were] courageous in the openness and visibility of your inner minds. Enjoyed it and learned a lot.