Employment

• Shout Consulting, September 2017 - present
• Baltimore Museum of Art, March 2000 - August 2017
• National Gallery of Art, March 1991 - March 1998
• Williams College Museum of Art, September 1988 - May 1990
• Whitney Museum of American Art, August 1986 - August 1988​

Education

• Williams College, MA, Art History
• College of Wooster, BA, Art History

Special Projects

• Baltimore Contemporary Print Fair, 2012
• Baltimore Contemporary Print Fair, 2015
• Baltimore Contemporary Print Fair, 2017

Exhibitions

• Stanley William Hayter and Atelier 17, (unrealized), 2017
• Peter Milton: Etching Enigmas (Evergreen Museum and Library, Johns Hopkins University), March 20–October 9, 2016​

• Front Room: Broomberg & Chanarin, April 13–September 11, 2016
• On Paper: Spin, Crinkle, Pluck, April 19–September 20, 2015
• On Paper: Alternate Realities, September 21, 2014–April 12, 2015
• On Paper: Figure Drawings From The Thomas E. Benesch Memorial Collection, April 20–September 14, 2014
• Front Room: An-My Lê, October 9, 2013–February 23, 2014
• On Paper: The Thomas E. Benesch Memorial Collection, November 17, 2012–February 10, 2013
• Baker Artist Awards 2012, September 5–October 7, 2012
• Baker Artist Awards 2011, September 7–October 2, 2011
• On the Mark: Contemporary Works on Paper, July 3–September 12, 2010
• Taking in the View: English Watercolors and Prints, August 27–December 7, 2008
• Front Room: Jim Dine, June 11–October 5, 2008
• Reflections of Sea and Light: Paintings and Watercolors by J.M.W. Turner from Tate (with Jay Fisher, Chief Curator), February 17–May 26, 2002

Acquisitions (purchases only)

• Ellen Countey Abbey, Mnemosyne, 1947 (BMA 2017.6-2017.7)
• John White Abbott, A Path Through the Woods, c. 1785-1795 (BMA 2008.9)
• Tauba Auerbach, Plate Distortion II, 2011 (BMA 2012.198)
• Abel Barroso, Cigars with Ideology, 2001 (BMA 2009.132)
• Fred Becker, Encounter, 1956 (BMA 2017.4)
• Louisiana Bendolph, As I Leave Shall I Return, 2013 (BMA 2015.97)
• Sascha Braunig, Stays, 2016 (BMA 2017.69)
• Marco Breuer, Shot (C-917), 2009 (BMA 2009.125)
• Broomberg & Chanarin, The Day of One Hundred Dead, June 8, 2008, 2008 (BMA 2016.147)
• Trisha Brown, Untitled Set One, 2006 (BMA 2007.336-2007.338)
• John Buckland-Wright, Young Woman before Mirror, 1936 (BMA 2012.232-233)
• Ambreen Butt, Daughter of the East, 2008 (BMA 2017.68.1-5)
• Letterio Calapai, Earthquake, 1958 (BMA 2014.13a-b)
• Minna Citron, Trepth, 1947 (BMA 2014.12)
• Amy Cutler, Widow’s Peak, 2011 (BMA 2014.30)
• Dorothy Dehner, The Barn in Bolton, 1952 (BMA 2011.47)
• Victor Delhez, Scherzo in Gold, 1948 (BMA 2011.156)
• Jim Dine, A Side View in Florida, 1986 (2007.223)
• Jim Dine, Raven on Lebanese Border, 2000 (BMA 2007.224)
• Louis Draper, Man with Hat and Kool Advertisement, New York, c. 1956 (BMA 2016.72)
• Kerr Eby, No Man’s Land, St, Mihiel Drive, 1919 (BMA 2012.550)
• Chitra Ganesh, Away from the Watcher, 2014 (BMA 2014.29)
• Thomas Girtin, Views of Paris, 1802 (BMA 2012.230.1-17)
• Ann Hamilton, warp & weft I, 2007-2008 (BMA 2009.128)
• Ann Hamilton, RIGHTS, 2017 (BMA 2017.66)
• Trenton Doyle Hancock, Wow That’s Mean, 2008 (BMA 2012.199.1-4)
• Stanley William Hayter, Cascade, 1959 (BMA 2008.112)
• Stanley William Hayter, Paysages urbains, 1930 (BMA 2011.158-2011.163)
• Stanley William Hayter, Hydroides, 1963 (BMA 2012.240)
• Stanley William Hayter, Cinq personnages, 1946 (BMA 2014.14.1-.4)
• Stanley William Hayter, Augy’s Foot, 1940 (BMA 2017.5)
• Robert Hills, Nook End, Ambleside, c. 1807 (BMA 2006.93)
• Horst Janssen, Portrait of Edgar Allan Poe, 1988 (BMA 2011.70)
• Stanley William Hayter, Submerged Form, 1941 (BMA 2012.241)
• Jasper Johns, Fragment--According to What, Coat Hangar and Spoon, 1971 (BMA 2013.326)
• Idris Khan, Every…Bernd and Hilla Becher Gable Sided Houses, 2008 (BMA 2014.28)
• Franz Kline, Poem, 1950 (BMA 2014.15)
• Armin Landeck, Subway Station, 14th Street, 1951 (BMA 2015.1)
• Mauricio Lasansky, Doma, 1944 (BMA 2011.157)
• An-My Lê, Target Practice, USS Peleliu, 2005 (BMA 2014.5)
• Martin Lewis, Which Way?, 1932 (BMA 2011.155)
• Evan Lindquist, S.W. Hayter Engraves War, 2015 (BMA 2015.173)
• Liu Zheng, Two Miners, Datong, Shanxi Province, 1996 (BMA 2009.126)
• Juan Logan, Ghost, 2009 (BMA 2010.11.1-6)
• Los Carpinteros, Greenhouse, 2011 (BMA 2011.91)
• Whitfield Lovell, Deuce, 2011 (BMA 2011.
• Emil Lukas, Center Hum East, 2011 (BMA 2012.200)
• Ben Marcin, Baltimore, MD, 2011 (BMA 2014.4)
• Kerry James Marshall, Handsome Young Man, 2010 (BMA 2012.201)
• Jacob More, A View of the Cascade of Neptune’s Grotto at Tivoli, 1778 (BMA 2012.234)
• Vik Muniz, Jorge, 2003 (BMA 2009.129)
• Wangechi Mutu, Second Born, 2013 (BMA 2014.8)
• BJO Nordfeldt, The Skyrocket, 1906 (BMA 2012.547)
• Helen Phillips, Poem, 1953 (BMA 2008.114)
• Andrew Raftery, Autobiography of a Garden, 2009-2016 (BMA 2017.67.1-12)
• Stan Shellabarger, Untitled, 2011 (BMA 2012.190)
• Alyson Shotz, Three Views of an Object, 2010 (BMA 2011.92-2011.94)
• John Sloan, Portrait of Charles de Kock, 1904 (BMA 2007.334)
• John Sloan, Girl and Beggar, 1910 (BMA 2007.333)
• David Smith, Women in War, 1941 (BMA 2016.68)
• Luc Tuymans, Surrender, 2014 (BMA 2015.46.1-3)
• Various Artists, 21 Etchings and Poems, 1960 (BMA 2015.75.1-20)
• Roger Vieillard, The Fable of Phaeton, 1939 (BMA 2012.231)
• Roger Vieillard, Descartes’ Meditations, 1946 (BMA 2012.173.1-30)
• Rachel Perry Welty, S.O.O….GOOD!, 2008 (BMA 2009.178)
• Rachel Whiteread, Squashed, 2010 (BMA 2013.3)
• John Wilson, Martin Luther King, Jr., 2002 (BMA 2015.96)

Authored Publications

• “Atelier 17 and Its Founder, Stanley William Hayter,” In Atelier 17 e a gravura moderna nas Américas, São Paolo: Museum of Contemporary Art, University of São Paolo, 2019, pp. 72–97.
• Stanley William Hayter and Atelier 17, unpublished exhibition catalogue, The Baltimore Museum of Art, 2017.
• Peter Milton: Etching Enigmas (with Trudi Ludwig Johnson), Evergreen Museum and Library, Johns Hopkins University, 2016.
• Permanent collection blog posts celebrating the BMA’s 100th Anniversary: Albrecht Dürer’s Knight, Death, and the Devil, 1513; John White Abbot’s A Path Through the Woods, c. 1785-95; Stan Shellabarger’s Untitled book, 2011.
• Exhibition brochures for Front Room: Broomberg & Chanarin, 2016, Front Room: An-My-Lê, 2013, and Front Room: Jim Dine, 2008, The Baltimore Museum of Art.
• “Hayter: Content and Technique,” Art in Print, 2 (September – October 2012), 10-16.
• “Aline Feldman: The Dynamics of City and Countryside - The Synthesis of Reality and Imagination,” exhibition brochure, The Rouse Company Foundation Gallery, Howard Community College, Columbia, MD, October 13–November 21, 2011.
• “West, Copley, and the Camera Obscura,” co-authored with Jenny Carson, American Art, 22 (Summer 2008), 24-41.
• Promises Revisited: Mervin Jules, Karl Metzler, and Frank Morgereth, exhibition brochure, University of Maryland University College, 2000.
• A Stately Heritage: Selections from the University of Maryland University Collection Maryland Artists Collection, exhibition catalogue entries, University of Maryland University College, 2000.
• The Touch of the Artist: Master Drawings from the Woodner Collections, exhibition catalogue entries, National Gallery of Art, 1996.
• Drawings from the O’Neal Collection, exhibition catalogue entries, National Gallery of Art, 1993.

Juries and Portfolio Reviews

• Maryland Institute College of Art, senior printmaking student critiquer, biannually, 2012-present.
• Maryland Federation of Art, 40th Annual Art on Paper, juror, 2017.
• Fotofest Houston, portfolio reviewer, 2016.
• Maryland Federation of Art, MD Art @ College Park, juror, 2014.
• ​Gormley Gallery, Notre Dame of Maryland University, 25th National Drawing and Print Competitive Exhibition, juror, 2014.
• Maryland Institute College of Art, Vestige, Annual Printmaking Juried Exhibition, juror, 2012.
• Maryland Federation of Art, American Landscapes, juror, 2010.
• Washington Printmakers Gallery, National Small Works Exhibition, juror, 2008.

Memberships and Awards

• Robert H. Smith Fellowship, National Gallery of Art, Washington, DC: research & travel fellowship investigating drawings made with optical aids, such as the camera obscura, the camera lucida, and graphic telescope; traveled to San Marino, CA, and London
• Board Member, Print Council of America: edited and performed design layout for 190+ page annual Newsletter since 2014
• Member, American Association of Museum Curators
• Member, Association of Print Scholars