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Musings on Art, Mostly Printmaking

Meet Sybil Andrews

4/7/2021

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Ann Shafer

I love Sybil Andrews’ sensibility. Like Ursula Fookes and Ethel Spowers, who we met recently, Andrews, no surprise, was a part of the Grosvenor School of artists focused on multi-block color linoleum cuts exploring the speed of urban contemporary life primarily during the 1930s in England. I love that she explores speed literally through images of raceways and steeplechases. But she also does something surprising by focusing on rural life and agriculture in that same modernist mode. A bit antithetical. She also created a series of the stations of the cross (I’ll let you look those up on your own).

Andrews worked as a secretary at the Grosvenor School beginning in 1925 and soon began making linoleum cuts under the school’s leader, Claude Flight. She became close friends with Cyril Power (I promise, I will cover both Flight and Power soon), sharing a studio until 1938, as well as collaborating under the pseudonym Andrew-Power. During World War II, while working as a welder in a factory, she met her husband Walter Morgan. The couple emigrated to Canada and settled on Vancouver Island in 1947. She continued making color linoleum cuts well into the 1970s.

I love that Andrews has such a strong point of view. I love the palette and the colors’ vibrancy. I love the high-design sense and reductiveness of the objects. I love the range of subjects. Well, there is not much about her work I don’t love.

Please meet Sybil Andrews.
picture of concert hall
picture of four men pulling ropes
picture of horses racing and jumping
picture of two people with umbrellas in rain
picture of two workers on winch
picture of men laying cable
picture of horse and rider jumping over water
picture of two men restraining a captive
picture of eight men and rowing skull
picture of eight men and rowing skull
picture of men with sledgehammers
picture of windmill
picture of horse plowing field
picture of horse race
picture of three motorcycles racing
picture of horses plowing field
picture of trees blowing in storm
picture of two men cutting hay
picture of sails in abstraction
picture of work horses at day's end
picture of sand dune with fence
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    Ann's art blog

    A small corner of the interwebs to share thoughts on objects I acquired for the Baltimore Museum of Art's collection, research I've done on Stanley William Hayter and Atelier 17,  experiments in intaglio printmaking, and the Baltimore Contemporary Print Fair.

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