Sometimes you get lucky and come across an artist by chance whose work you love. Even better is when you become friends. I made a studio visit to an artist who happened to be married to Susan Harbage Page. Because their studios were adjacent, I was able to see both in one visit. Susan's work runs the gamut: photography, drawing, performance, fibers, writing. One project has always risen to the top for me. The Border Project is a long running exploration of immigration issues focused on the border at the Rio Grande river in Brownsville, Texas. (An exhibition catalogue about the project is available here: https://susanharbagepagedotcom.files.wordpress.com/…/1_bord….)
Long before children were being separated from their parents, Susan spent a lot of time photographing objects in situ and then collecting them. The objects left behind by migrants--bras, wallets, identification cards, shirts, toothbrushes--are catalogued and photographed in an anti-archive. The large-scale, color photographs of objects in the landscape hold power for me. Yet, sometimes no object is needed as evidence of a human presence. In Nest (Hiding Place), Laredo, Texas, a human-sized divot in the dry, tall grasses has been recently used as a resting or hiding place after crossing the border from Mexico. Easy to miss, once we understand how these crossings occur, we will recognize signs like this one forever. This now-empty nest is simple, stark, potent, and full of untold stories both of hope for a better life and fear of capture.
Susan Harbage Page (American, born 1959)
Nest (Hiding Place), Laredo, Texas, 2011, printed 2012
Inkjet print, pigment–based
Sheet: 1067 × 1553 mm. (42 × 61 1/8 in.)
Image: 965 × 1448 mm. (38 × 57 in.)
The Baltimore Museum of Art: Gift of the Artist, BMA 2012.156
Ann's art blog
A small corner of the interwebs to share thoughts on objects I acquired for the Baltimore Museum of Art's collection, research I've done on Stanley William Hayter and Atelier 17, experiments in intaglio printmaking, and the Baltimore Contemporary Print Fair.
What our Platemark listeners are saying
Listened to Platemark episode 102. Great stuff. I agree verbal exchanges with compatible minds on deeply shared content is rich, creative, wonderful, and hard to find. You both offered a delightful picture of how that has worked for you. And I felt [you were] courageous in the openness and visibility of your inner minds. Enjoyed it and learned a lot.